В эфире Jazzradio.com.ua звучит много хорошей музыки. В этом разделе Вы видите перечень джазовых музыкантов и стилей, представленных в нашем плейлисте. Кликнув на имя исполнителя, название группы или направления, Вы можете узнать о них более подробно.
Мы не претендуем на энциклопедическую точность и всеохватность материала. Мы просто хотим, чтобы у Вас под рукой всегда был минимум необходимой информации. А пребывание на сайте нашей радиостанции - максимально комфортным.
Eric Allan Dolphy (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, flautist, and bass clarinetist He also played, on a few occasions the clarinet and baritone saxophone. Dolphy was one of several multi-instrumentalists to gain prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists. His improvisational style was characterized by the use of wide intervals in addition to using an array of extended techniques to reproduce human- and animal-like effects which almost literally made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony.
Dolphy was born in and was educated at He performed locally for several years, most notably as a member of big bands led by and On early recordings, he occasionally played and as well as his main instrument, the alto saxophone. Dolphy finally had his big break as a member of quintet. With the group he became known to a wider audience and was able to tour extensively through 1959, when he parted ways with Hamilton and moved to
had gained an audience and critical notice with quintet. Although Coltrane's quintets with Dolphy (including the and Africa/Brass sessions) are now legendary, they provoked ma
Dolphy's first two albums as leader were The first, more accessible and rooted more in the style of bop than some later releases, was recorded a studio in New Jersey with hard-bop trumpeter However the album still offered up challenging performances, which at least partly accounts for the record label's choice to include "out" in the title. Out There is closer to the music which would also form part of Dolphy's legacy, and reminiscent also of the instrumentation of the Hamilton group withon cello and Dolphy on bass clarinet, clarinet and flute as well as saxophones.During this period, Dolphy also played in a number of challenging settings, notably in key recordings by Ornette Coleman.
